Louise Redknapp sizzles in lingerie for second night on stage in Cabaret as she performs wild routine on moving staircase. LOUISE Redknapp stuns her second London audience in ultra- sexy lingerie as she performs an energetic routine with semi- clad male dancers in the musical Cabaret. The agile Strictly 2. Flynet Pictures Louise Redknapp sizzles in Cabaret during her second performance. Flynet Pictures The former pop star is playing Sally Bowles in the show. Flynet Pictures The former Strictly contestant looked very at home on stage.

Lou-dicrously sexy Louise Redknapp sizzles in lingerie for second night on stage in Cabaret as she performs wild routine on moving staircase.

The former girl band member, who has split from her footie star husband Jamie, looked right at home on stage at the New Wimbledon Theatre in her dominatrix gear during the provocative dance routine. At one point she leaned off the edge of a high staircase before being caught and carried by male dancers - while a female cast member was held upside down with her legs akimbo. On her debut night Louise wowed ticket- holders with her voice and dance skills while playing the lead, Sally Bowles, alongside Will Young as The Em. Cee. It's a major career high for Louise to play Bowles, who was portrayed by none other than Liza Minnelli in the 1. The curse of Strictly may have affected her marriage but she is clearly channelling her best energies into her new- found stage presence.

But there may be hope for Jamie yet as Louise was seen wearing her wedding ring last night after leaving her first show at the theatre, holding a bunch of blooms. Flynet Pictures The sexy performer puts her legs around a man's neckdial- a- gaffe Corrie viewers spot HUGE Anna Windass blunder as she makes 9. TV TODD'S COP QUIZ Corrie's Bruno Langley to be questioned by police over 'sexual assault' EAST CLUB 7 S Club 7 singer Hannah Spearritt to join the cast of East. Enders this year life of dough Stacey Hart leaves Bake Off tent and returns to plush millionaire lifestyle FOXTROTS?

Strictly star Mollie King's partner AJ 'set to miss Saturday's show with bug' BLUE MORNING BBC Breakfast's Louise Minchin forced to apologise after swearing live on air Flynet Pictures Louise was a commanding presence on the stage. Flynet Pictures The mum belts out a song. Mum- of- two Louise is thought to have drifted apart from Jamie after her friendship with young model Daisy Lowe, plus her exciting Strictly experience, left her disillusioned with her lot in life. So it's fitting that she's playing Bowles, a debauched cabaret singer happy to take centre stage alone - a role played on stage by Jennifer Jason Leigh, Molly Ringwald, Sienna Miller and Emma Stone, among others. Flynet Pictures Louise is now finished with her second gig on the stage. Flynet Pictures Louise held on to a rail to keep her balance The star squats down as the stairs are moved.

A few things to know about Charlie Chaplin. He starred in over 80 films, reeling off most during the silent film era. In 1914 alone, he acted in 40 films, then.

She may be rocking the musical but  it’s also been revealed that Louise is gearing up for her first live show in 1. She will be playing at London’s Under The Bridge on December 2. Flynet Pictures Louise falls into the arms of on- stage dancers A female actress is held upside down as Louise is carried. Watch Paper Heart Online IMDB. Speaking about her return, she said: “I went into the studio to rework some of my original tracks."I can’t wait to be back on stage performing all of the hits and my favourite covers.”Cabaret tours the UK over the coming weeks, ending at the Theatre Royal Brighton on December 9. Louise Redknapp​ removes her wedding ring​ ​before Cabaret​ rehearsal.

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SIFF 2. 01. 7: Highlights of film festival’s first week. The Seattle International Film Festival, which runs through June 1.

The Seattle International Film Festival gets underway this week at screens all over town. Here are a few highlights from movie reviewers John Hartl, Moira Macdonald, Brent Mc. Knight and Michael Upchurch.

For more information, see siff. For tips on how to navigate the festival, go to seattletimes. Years” ★★★  In 1. Pamela Yates came to Seattle to show “Guatemala, When the Mountains Tremble,” her feature- length history of the largely Mayan country that has been dominated for centuries by a handful of wealthy families. This week she’s returned to fill in those missing years of genocide, corruption and disappearances (it’s estimated that 1. Watch Our Universe 3D Online Our Universe 3D Full Movie Online. The protests that lead to the overthrow of a president carry hard- to- avoid echoes of recent demonstrations in the U. S. Yates is scheduled to attend both screenings.

May 2. 5, Uptown; 3: 1. May 2. 6, Uptown) — John Hartl.

Seattle International Film Festival. May 1. 9 through June 1.

Egyptian, Uptown, Pacific Place, SIFF Film Center; also at Majestic Bay (through May 2. Shoreline Community College (May 2. June 3), Lincoln Square (through June 1), Ark Lodge Cinemas (June 1- 8), Kirkland Performance Center (June 1- 4). Individual tickets are $1. SIFF members), $1. SIFF members); various ticket packages available.

Box office: 2. 06- 3. Afterimage” ★★★  The final film of acclaimed Polish director Andrzej Wajda’s near 7. Wladyslaw Strzeminski. Boguslaw Linda embodies the aging artist who struggles against the rising tide of Communist censorship, inspires awe and devotion in his students, and has an almost hostile relationship with his young daughter. He’s simultaneously charismatic, sympathetic and maddening. Deliberately paced, bleak and a touch repetitive, “Afterimages” is a swan song from one of the greats, who, much like his subject, leaves viewers with a treatise on how to look at the world.

May 2. 4, Pacific Place; 3: 3. May 2. 6, Uptown) — Brent Mc. Knight“After the Storm” ★★★½  Japanese filmmaker Hirozaku Kore- eda’s gentle, quietly profound films (“Our Little Sister,” “I Wish,” “Like Father, Like Son,”) are of a piece: domestic tales of families and children, in which the camera — and its extension, us — becomes another member of the clan. Here, a divorced father struggling to get his life on track (“It’s not that easy growing up to be the man you want to be,” he muses) finds himself unexpectedly reconnected with his family after a storm forces them together.

Quiet revelations and fleeting poetry — a lottery ticket, we’re reminded, is a piece of a dream — pleasingly ensue. Kore- eda is scheduled to attend both screenings. May 1. 9, Uptown; 4 p. May 2. 0, Egyptian) — Moira Macdonald“Backpack Full of Cash” ★★½  The debate over the increasing privatization of public education in America is the divisive, hot- button topic at the center of Sarah Mondale’s documentary. Narrated by Matt Damon, the film explores the rise of charter schools, vouchers, online programs and other for- profit models; growing educational inequality, especially in urban areas; and the devastating impact it has on the poorest, most at- risk students.

Occasionally repetitive and sloppy, a fiery passion shines through to highlight this vital, complex, difficult to address topic. Mondale is scheduled to attend the screenings on June 6 and June 7. May 1. 9, Uptown; 7 p. June 6, Pacific Place; 4: 3. June 7, Pacific Place) — B. M.“Becoming Who I Was” ★★½  As playfully time- oriented as its title, “Becoming Who I Was” makes reincarnation a central part of its story about a journey through more than one life. Whether you buy it depends largely on your feelings about karma and related ideas that can sound like child abuse in this context.

While the child hero grows up on- screen, his teacher has a creepy weakness for death- defying ritual. Director Jin Jeon will attend the screenings at 7 p. May 2. 4 at the Majestic Bay and 4: 3. May 2. 5 at Pacific Place. The film plays again at 6: 3.

June 1 at Shoreline Community College. J. H.“The Bloom of Yesterday”★★½  A Holocaust- research rom- com may sound like a non- starter — but after several swerving left turns, this German film finds and almost holds its center. A meltdown- prone historian (Lars Eidinger) is demoted as organizer of a conference on Auschwitz and saddled with an equally volatile young female intern (Adèle Haenel).

Together they try to persuade a skeptical Auschwitz- surviving actress (a scathingly tart Sigrid Marquardt) to participate in the event. Result: a savage yet wacky look at who gets to wield a “moral cudgel.” (9: 3. May 2. 2 and 4 p. May 2. 5, SIFF Cinema Uptown; 6: 3.

May 2. 4, Lincoln Square) — Michael Upchurch “Chavela” ★★★  In concert, she would walk out from the wings and spread her arms wide, “like a dove,” said an admirer, as if embracing the audience. This tuneful portrait of Chavela Vargas, “born singing” in 1. Costa Rica, admiringly explores her impact on the world of Mexican music as an out lesbian (wait until you hear who she says she woke up with after Elizabeth Taylor’s wedding), a charismatic figure and a great artist whose burnished voice “always sounded as if she’d been torn apart.” Director Catherine Gund is scheduled to attend the May 1. May 1. 9, Uptown; 1. May 2. 0, Pacific Place) — M.

M.“Entanglement” ★★½  After a post- divorce suicide attempt, sad- sack Ben (Thomas Middleditch of “Silicon Valley”) goes on a quest to find the “sister” his parents almost adopted. He also has arguments with his skeptical bathroom- mirror reflection and fends off the attentions of a nosy neighbor who’s obviously smitten with him. The script isn’t great, but the plot turns and visuals can be striking, and Jess Weixler has fun as the bad- girl sister Ben finds. Director Jason James is scheduled to attend the May 1. May 1. 9, Majestic Bay Cinemas; 2 p. May 2. 0, SIFF Cinema Uptown; 9: 1. May 2. 4, Lincoln Square) — M. Watch The Grudge Mojoboxoffice.

U.“Ethel & Ernest” ★★★  Suggesting a matchup between Archie Bunker and Gracie Allen, “Ethel & Ernest” is a sweet British memoir/cartoon about an ordinary couple who survive the Blitz along with their growing son. Mother (voiced by Brenda Blethyn) daftly thanks Hitler for bringing “Mein Kampf” to their shores, while Dad (Jim Broadbent) is shocked that their boy prefers art school to an office job. The three of them get by in spite of their cluelessness. The dry, quirky script is based on a graphic novel by Raymond Briggs.

May 1. 9, Pacific Place; noon May 2. Uptown) — J. H.“The Fabulous Allan Carr” ★★½  This exuberantly trashy documentary was directed by Jeffrey Schwarz (“I Am Divine,” “Tab Hunter Confidential”). This time the focus is on the gaudy showman of the 1. Allan Carr. The cast includes Goldie Hawn, John Travolta, Steve Guttenberg and the late Turner Classic Movies host Robert Osborne, who gives it a touch of class.

The survivors are especially effective at recalling the “life is a cabaret’’ momentum of the period. Carr reached his high point promoting “The Deer Hunter” (1. Oscar for best picture, and his nadir with a 1.

Academy Awards production number that still invites shudders. In between came his biggest hit, “Grease.” (7 p. May 1. 9, Egyptian; 1. May 2. 0, Egyptian) — J. H.“The Farthest” ★★★½  Imagine the late Chuck Berry and Carl Sagan dancing to a cosmic beat, and you’ve caught the central idea behind “The Farthest,” an irresistible NASA instant classic about the conquest of space — via the Voyager missions.